Maya
|
4:37
min |
An upbeat, dancy track with a lot of electronic bass and percussion.
|
Woodfield
|
5:30
min |
Soft acoustic guitar and sax solos with a chorus section featuring overdriven electric guitars.
|
Ocean's Floor
|
6:33
min |
It starts with a long descent to the other place and then introduces a soft, almost liquid, theme against an arpeggiated ground.
|
Temple
|
6:30
min |
This track features asian temple gongs as a drone bass against drums and percussion with a variety of flute sounds playing solos in the middle section.
|
The Last Dance
|
6:06
min |
The last dance played at the end of a evening.
|
Unturned Stone
|
3:17
min |
We'll leave no stone unturned. So what's under an unturned stone? Hope, I suppose.
|
Finn's Song
|
8:54
min |
A violin solo with a lot of folk music overtones. The second section develops the theme with a more upbeat rhythm.
|
Folksong
|
5:31
min |
This started as a orchestration exercise which got a bit out of hand. The main tune is in "folksong"-style in Dorian mode.
|
Bel Canto
|
8:54
min |
The tenor solo is developed in the orchestral middle section before an enhanced repeat of the original theme.
|
Cafe Cathay
|
7:35
min |
Think of a 1920's cafe orchestra playing a slow waltz enhanced with the sound of far eastern string instruments.
|
Mountain Song
|
2:31
min |
The sound of pipes echoing around the hillsides over a soft pad whose overtones fill the gaps between the sounds.
|
Ending
|
4:54
min |
The themes are reduced to simple rhythms and harmonies using a very electronic drum part.
|